Promotion

Founded in 1984 this powerful trio stands foe explosive and handmade American blues. Only three musicians are needed to bring a stylistic variety on the stage, which is second to none. The mix consists of Blues, Rock, Americana, Country, Jazz, Jazz-Rock, Reggae.

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Elisabeth Carlisle’s new release, “Beyond These Walls”, is a song about the strength to break down walls that life can put up sometimes. Although inspired by her husband’s personal battle with multiple myeloma cancer, the song is meant to give encouragement to those facing any struggle that may seem to be insurmountable, yet through love and faith we can go ‘beyond these walls’.

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Dave Rosewood grew up in The Ozark Mountains absorbing the sounds of bluegrass, country, and gospel music as a child. He later discovered the joys of blues and its sibling rock and roll.

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Low Land Home is the perfect safe place for melancholic souls. This Ghent (BE) based band came about in 2016 when frontman Jo Geboers started writing songs in his bedroom about the dark edges of life, and he soon was accompanied by Jolien Bové, Muriel Boulanger en Pieter-Jan Jordens. It’s no wonder that a band consisting of three psychologists and a self-declared philosopher cuts deep in the human vulnerabilities, whether they shed light on doubts, fears or other demons. These four merge familiar human thoughts with touching vocals, minimalistic piano melodies and protrusive rhythms into a goosebumps-inducing experience. 

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Pocket Size Sthlm is the brainchild of composer/guitarist Peter Pedersen. This conceptual musical unit was brought into daylight early 2010. There were some ideas and fragments of songs floating around in the pool of creativity. They were developed together with others.

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Nashville based singer songwriter Bob Rea’s beautifully written songs move with the same delightfully adventurous wanderlust and incisive lyrical grit found in the great works by the likes of Johnny Cash, Guy Clark, Leonard Cohen and Steve Earle, but are built on their own unique, and impressively solid, musical foundation. Deeply rooted in americana, Rea’s extraordinary gift for melody and lyrics take his latest release, “Southbound”, to thrilling new places. Etched with universal truths and tinges of humor, there’s a strength and familiarity in “Southbound’s” tracks that can only come from the kind of craftsmanship that’s honed through years of work, not to mention an abiding love of that work. 

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Part rambling man, part hill country gypsy, Ranzel X Kendrick sounds like nobody else. Original. Fresh. Passionate. Real, raw and different. Honing his songwriting skills as a youth with tips from multi Grammy winner and country legend Uncle Roger Miller, Kendrick often jammed with Miller as a teen when he was in town visiting family.

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The Rank Outsiders are four seasoned musos cobbled together from the big smoke of Melbourne to The Great Ocean Rd. They love nothing more than the sound of vintage guitars played through fine amplification, a little denim…and a smattering of facial hair.

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The Rock n Roll Future is Now: hailing from Linz, the Austrian city of steel, INTRA strike a heavy blow on the current music scene. The innovative trio are bringing the genre to the next level with their punchy riffs, catchy hooks, heavy drums, and the realest front woman in Stoner Rock.

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Named as one of Jazzwise Magazine’s “One to Watch in 2019” and nominated for both “Best Band” and “Best EP/Album” at this year’s Scottish Jazz Awards, Graham Costello’s STRATA blend stylistic elements of jazz, minimalism, and celebrated progressive/noise bands together with a strong DIY ethic, winning over audiences with towering dynamics and a raw and genuine enthusiasm. The music explores polyrhythm, collective groove and, at it’s true core, improvisation.

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Recently described by Spill Magazine as ‘perhaps the greatest undiscovered talent today’, Henry Bateman’s music falls somewhere between the worlds of ambient, progressive rock and folk musics; somewhere between Peter Gabriel, Neil Finn and James Taylor, with a virtuoso acoustic guitar style reminiscent of the likes of Nick Drake and Michael Hedges. He’s doing his own thing; at the age of just 22, he’s just released his third solo album ‘Hide & Seek’ to high critical acclaim. 

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““James Brandon Lewis, A Jazz Saxophonist In His 30s, Raw-Toned But Measured, Doesn’t Sound Steeped In Current Jazz-Academy Values And Isn’t Really Coming From A Free-Improvising Perspective. There’s An Independence About Him, And On “Days Of FreeMan” (Okeh), He Makes It Sound Natural To Play Roaming, Experimental Funk, With Only The Electric Bassist Jamaladeen Tacuma And The Drummer Rudy Royston, And Without Much Sonic Enhancement.

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